Sunday 30 July 2023

2023 - IA3 - BODY OF WORK

 Yr 12 VISUAL ART 

IA3 explores the concept of 

‘Art as alternate’

This project provided opportunities for students to enrich their knowledge and aesthetic experience of the world through creative thinking, making and responding to art in the contemporary context.

As audience, they considered how alternate methods of display and exhibition, contemporary approaches with materials, and new technologies impact upon their sensory experience and engagement 

with art.

As an artist, they considered how alternate methods of abstraction, representation or symbolism can enhance or deepen the communication of meaning in their body of work, and develop new meaning through a lens of 21st century ideas.

This is the third stage in the self-directed body of work. The student’s challenge was to consider the way art can communicate their individual interpretation of an idea/ concept/ philosophy/ or culture in reaction to the thoughts and concepts of others.


Students re-envisaged, created and resolved art work/s that communicated ‘Art as alternate’, through the personalised focus and context/s they defined in IA1 and developed in IA2.






Anthony Baker

“War on the fabric of space”
Paper, acrylic paint, ink art liner, Fabric, UV torch.
750mm x 1100mm

War: an eternal flame blistering humanity. 
Hope is the elusive dream of lasting peace. Such an idyllic concept remains an illusion. Every war has left an indelible mark on the very essence of those involved. I endeavour to dig through the repetitive layers of humanity to reveal how war hauntingly continues to cast its ominous mark upon humanity. 
War is human, it’s in human nature. 
Through the media choice I want to reveal and conceal.

Gallery view














Peter Bousgas

"The lost connection"
Cutout pic collage + marker pen 
297mm x 420mm

The profound impact of technology and social media is undeniable, transforming communication, connection, and information sharing. However, this digital revolution has also left its mark on our religious affiliations. A concerning trend emerges as social media drives many, particularly the younger generation, away from religion. The causes of this shift are multifaceted and complex.  Beyond religious implications, technology's prevalent influence has disrupted family dynamics, leading to tragic consequences like increased youth suicide rates. The detachment between children and their parents caused by social media becomes an emotionally devastating experience for mothers and fathers. The artwork appropriates a well-known stereotype and explores this digital abyss. It prompts contemplation on the consequences of our tech-dependent world.   



Gallery view










Jay Campbell

"Fashion??"
Recycled clothing, Japanese denim, spray paint, paint, posca pen
1850mm x 1330mm



The fashion world is as powerful in influence as the world of media. As a model, I am open to this world from a differing perspective that allows me to question what actually is fashion and how do we define it.  My work ‘Fashion??’ questions this by making adjustments to business clothing attire and added a twist to it. As an alternate I wanted to use a different canvas style to display my work on. Post covid fashion has relaxed as a whole therefore the mediated fashion world has had to re-think its direction, small opportunities show us social media now being a major way that we are exposed to different genres of fashion.


Gallery view














Charlie Coffey

"Digital Quicksand"
Digital Photography (x2)
40.5 x 30.5cm

Exploring the interconnected web of our modern existence, I delve into the confusing realm of social media addiction, illuminating the captivating but often overlooked intricacies of its impact on real-life interactions. "Digital Quicksand," serves as a mirror reflecting the elusive nature of our relationships, encompassing not only isolation but the deeper immersion into the addictive embrace of the digital realm. This seeps insidiously into our real-life experiences, eroding the authenticity of human connections and transforming them into mere fragments, ephemeral and superficial.   




Gallery view















Alex Hui 

New Reality
Wooden Board, Plaster, Magic clay, Acrylic Paint
100cmx80cm 

 
I draw inspiration from the influential role my Asian heritage gives me and how the significance of it is particularly mediated in Western society. The creation of my artwork represents the outcome of disconnecting from my busy, connected world transitioning by immersing myself within the natural environment of South Stradbroke Island, which then altered my perception of the world around me. 

My work draws inspiration from renowned artists Ai Weiwei and Pannaphan Yodmanee, who uses blunt symbolism and immersive embodiment in their artwork. Through my artwork, I rediscovered old interests in my heritage that I had lost due to the stress of trying to be accepted in Western society. The mediated portrayal of Asian heritage evokes emotions ranging from pride and appreciation to frustration and a need for authenticity.




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Mason King

“Breathless Skies”
Digital images 
x3 A4 images



In “Breathless Skies” I explore the urgent and distressing issue of pollution in our modern society. This artwork serves as a poignant reflection on the profound environmental crisis we face today, specifically focusing on air pollution. Through a powerful visual metaphor, I depict a man enveloped by a suffocating plastic bag, symbolizing the decline of our world due to the rampant pollution that chokes our atmosphere. The human figure at the center of this piece is not merely a representation of an individual, but a universal symbol of humanity itself. It is a reminder that the consequences of pollution are not confined to any one person or group; they affect us all. The plastic bag that shrouds the figure is a stark representation of the toxic pollutants that infiltrate the air we breathe, gradually undermining the very essence of life.



Gallery view









Daniel Maurice

Untitled
Surfboard, Textile and Lead Pencil
140cms x 47cms


Australia profoundly altered my worldview, forcing me to confront my stark differences to those around me. My artwork, reflecting life with ADHD and its fragile resilience through surfing, echoes the struggles that emerged after the move. While ADHD barely affected me before, Australia brought forth new challenges. The maze represents life's overwhelming complexities, and youthful innocence signifies ignorance of the daunting obstacles ahead. The artwork reminds me that life's maze may breed struggle if you fight against who you are. Australia exposed me to diverse perspectives; I changed who I was to fit in. Recently, significant events made me realize how much I've diverted from my true self. Still, amidst the struggle, I find hope in the road less travelled, the path of self-acceptance and embracing my unique identity.


Gallery view









Zen Pizzinat

'Forbidden Fruit'
x3 Digital Photography 
42cm x 29.7cm 

In 2023, the world has undergone a transformative shift, heavily reliant on technology to find relevance, recognition, and connection in the digital landscape. However, this virtual realm blurs the boundaries between reality and illusion, impacting both our conscious and subconscious thoughts. With the proliferation of social media users, the ever-evolving portrayal of the 'ideal' man shapes predefined paths that stifle uniqueness and self-expression. Men often feel compelled to conform to rigid stereotypes, seeking societal acceptance amidst unrealistic expectations. Ironically, anonymous online users, hiding behind anonymity, impose their ideas and ridicule others, fueling the pressure for singular centric. The artwork titled 'Forbidden Fruit' serves as a poignant reminder that individuals are the authors of their own destinies. There is no fixed definition of a man's appearance or demeanor.



Gallery view











Jack Raff

“Dark Fuse”
Mixed Media: Wax, Steel Netting, Tablets (advil, Panadol, aspirin), Netting Clips, Spray Paint, Candle Wicks, Cable Ties, Projector, Computer, Plastic Book Stands and Plastic Pot Bases
24cm x 33cm wax Heads plus wire cage and projector (x3)

Mental health is often overlooked in male-dominated societies, causing many men to struggle with societal standards of what's considered normal.

"Dark Fuse," explores this issue and the short-term effects of attempted treatment. The skull symbolizes the person, while the burning candle represents the fuse and amount of time, they have left until their struggles get the better of them. Antidepressant pills show how some find help, while the cage portrays the feeling of isolation. The piece aims to raise awareness about this real problem and urges the audience to check on their friends before it's too late. A simple "Are you okay?" can make a significant difference in someone's life.




Gallery view
















Angus Robinson

‘312/12’
Installation/Mixed media: (Metal, Books, School uniforms, Photographs)
3.6 m x 1.2 m


1 every 28 hours, 6 every week, 312 every year. In 2022, 312, 18-to-24-year-old Australian males chose to take their own lives. The epidemic surrounding men’s mental health is undeniable. ‘312/12’ confronts outdated, gender constructs of manhood, highlighting the spectrum of emotions associated with men’s mental health and in particular suicide. Comprised of manuscripts, the central composition, ‘MAN UP!’ portrays the negative experience males face at the hands of outdated gender norms and archaic perceptions of masculinity. The use of Shakespearean text denotes both the historical and current struggle of man in conforming to these unrepresentative societal expectations. Equally the accompanying portraits reveal the silent struggle that males suffering with mental health are bound by in order to conform to these harmful expectations.





Gallery view















Daniel Statham
"Inner Worlds, Outer Realities”
x2 Digital prints
41 cm x 35cm 


Today's overpopulated world has created areas of constant human surroundings, yet some are paradoxically engulfed in isolation, often affecting our sense of belonging.

Using projection on the human body, as canvas, and digital photography, I aim to evoke emotions, provoke contemplation, and foster empathy towards the complex interplay between our inner world and the chaotic external environment and culture. 

The female figure is trapped within herself, connection to fashion, beauty and a perfect world is depicted through the subtle presence of her device she cannot see.

The masculine figure, with a juxtaposed projection of a fragile face, reflects the honesty of inner well-being, with a collage presenting mixed feelings of choices, some deliberate and others a product of forces beyond immediate control. The ever-present eyes in each artwork serve as a communication tool of constant observation and judgment, not only by others but also the self.




Gallery view












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Conna Watson

Paltering Propaganda
Acrylic Paint on Canvas, Bullet shells, Printed images on Paper
121cms x 91cms




In "Paltering Propaganda," my artwork provides the opportunity to shed light upon the uncomfortable truth behind America's propaganda and how it works to disguise its devastating impact on innocent civilians in the Middle East. Through striking visuals and thought-provoking symbolism, the art piece exposes the hidden horrors of war, revealing the stark contrast between the glossy narratives presented to the world and the harsh reality experienced by those on the receiving end of violence.
With a raw and unapologetic approach, the artwork challenges viewers to confront their own beliefs, encouraging a deeper examination on the consequences of unchecked power and media manipulation. It serves as a poignant reminder that behind every manipulated story are countless untold tragedies and silenced voices. My intention is to provoke empathy and spark dialogue, urging individuals to question the authenticity of the information they consume. 


Gallery view










Vincent Wilkie

‘Full House’
Mixed Media on Leather
87cms x 61cms #1
22cms x 17cms #2



The concept of art is something that is very hard to identify. The inclusion of symbols and codes, as language, allows cultural diverse peoples understanding in art. A written language is not necessary to communicate.
The depth of art through layers of literal and non literal meaning is crucial to one's true understanding and appreciation of the variety of art.




Gallery view







VIEWS IN THE GALLERY